Number 148 on Rolling Stones 500 Greatest Songs of All Time and her only #1 hit.
"Me and Bobby McGee" came from her drinking buddy and occasional crush Kris Kristofferson, who was inspired to write it after seeing Federico Fellini's 1954 film La Strada, Italian for "the road." (It had already been ). Joplin's version was "just the tip of the iceberg, showing a whole untapped source of Texas, country and blues that she had at her fingertips," recalled pianist Richard Bell. It was a standout from Pearl, her last solo album, released less than a year after she died of a heroin overdose.
This was written by Kris Kristofferson. Kristofferson would become a successful solo artist and appear in several movies, but it was Janis Joplin's hit cover of this song that brought his career to the next level. "'Bobby McGee' was the song that made the difference for me," he told Performing Songwriter in 2015. "Every time I sing it, I still think of Janis." The founder of Kristofferson's record label, Fred Foster, rang him just as the struggling musician was about to leave Nashville for his helicopter pilot sideline job. He said that he had a song title for the songwriter - "Me And Bobby McKee." Kristofferson recalled in Mojo magazine March 2008 that his label boss suggested: "'You could make this thing about them traveling around, the hook is that he turns out to be a she.'" Fred Foster used a secretary's name as inspiration for the title. Her name was actually Bobbi McKee. By naming the character in the song "Bobby," it made sure a female singer could sing it without changing the name, since "Bobby" could refer to a man or woman.
Kristofferson was not sure at first. "I hid from Fred for a while but I was trying to write that song all the time I was flying around Baton Rouge and New Orleans. I had the rhythm of a Mickey Newbury song going in the back of my mind, ',' and I developed this story of these guys who went around the country kind of like Anthony Quinn and Giuletta Masina in (Fellini's) La Strada. At one point, like he did, he drove off and left her there. That was 'Somewhere near Salinas, I let her slip away.' Later in the film he (Quinn) hears a woman hanging out her clothes, singing the melody she (Masina) used to play on the trombone, and she told him, 'Oh, she died.' So he goes out, gets drunk, gets into a fight in a bar and ends up on the beach, howling at the stars. And that was where 'Freedom's just another word for nothing left to lose' came from, because he was free from her, and I guess he would have traded all his tomorrows for another day with her." However, in the March 2006 issue of Esquire magazine, Kristofferson was asked where he was when he came up with the line, "Freedom is just another word for nothing left to lose." His reply: "I was working the Gulf of Mexico on oil rigs, flying helicopters. I'd lost my family to my years of failing as a songwriter. All I had were bills, child support, and grief. And I was about to get fired for not letting 24 hours go between the throttle and the bottle. It looked like I'd trashed my act. But there was something liberating about it. By not having to live up to people's expectations, I was somehow free."
The song's final defining image came to Kristofferson as he was driving in heavy rain to the airport for the flight home. "I went, 'With them windshield wipers slapping time and Bobby clapping hands we finally sang up every song the driver knew.' And that was it."
This was released after Joplin died of a heroin overdose. Her death gave the album a lot of attention, and Pearl went to #1. It was the second song to hit #1 in the US after the artist had died; "Dock Of The Bay" by Otis Redding was the first.
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