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**** INTRO ****

Once again, it's time for the FNGT!

If you don't know how this works, click this link (fngt.gq). That link will take you to another site to give you some additional information and tell you about some of our off-site features. That's also the site where we will host the weekly guitar threads, should Poal go down.

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Remember, we are guests here on Poal. Let's act like it. If you're interested in supporting Poal, then you can donate.

**** INTRO **** **Once again, it's time for the FNGT!** If you don't know how this works, [click this link](https://fngt.gq/index.php?page=intro). That link will take you to another site to give you some additional information and tell you about some of our off-site features. That's also the site where we will host the weekly guitar threads, should Poal go down. **NOTE:** That site is by invitation only. If you want an invite, and you're a regular participant, then just ask Crazy, or myself. If you do know what's going on, you probably don't need to click that link - but you may want to, to make sure you know of the other features, such as the archive or a separate forum that's invite only. Remember, we are guests here on Poal. Let's act like it. If you're interested in supporting Poal, then [you can donate](https://poal.co/donate).

(post is archived)

[–] 1 pt

LOL My dream is to score a BBC documentary. Maybe a Nat Geo doc...

That does sound like a good way to be productive and creative. I've done a whole lot of studio work where you're just given an idea and expected to play it - or you're given not very good notation and asked to play it.

Seriously... BBC can pick up a lion cub's mew from a half mile away - and noise filter out everything but. How the fuck could a sane person NOT want to score one of their documentaries?!? I don't even care what the subject is, I'll do it!