Thanks Reems, Glad to see you around man! The drums gave me some interesting obstacles as the kick had a lot of hihat bleed that sounded terrible when trying to get the click of the beater to stand out. I ended up figuring out how to trigger it with a sample kick, so I could augment the high end. Took some time, but that’s a skill I’m happy to now have. I added 3 different reverb aux tracks for the snare to try and make it sound huge haha.
Normally, if I wanted to kill a hi-hat bleed on a kick while augmenting the hi end, I'd probably use a multiband compressor at that frequency to try to kill the hat. What did you sidechain to the sample kick?
A gate and Dynamic EQ has always worked for catching the hihat bleed with my own recordings. It just wasn’t sounding right in this kick. When I ducked it, the kick got very pillowy sounding, which can work for a lot of genres, but metal needs that click.
For the sample: I used a plugin called DrumXchanger from Plugin Alliance. It allowed me to set a threshold from the source track, and simple insert a .wav of the new kick. Then it has a transient designer, filters, and a blend knob. Super useful tool.
Oh, now I understand what you did. Brilliant approach!
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