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Middle C is 261.63 Hz. The next half-step up (C#) is 277.183 Hz.

Why are these notes, while a tone at, say, 265 Hz, is not? Or what about 269.1488 Hz -- nearly absolute middle of the two?

Why do we recognize certain frequencies as notes?

Middle C is 261.63 Hz. The next half-step up (C#) is 277.183 Hz. Why are these notes, while a tone at, say, 265 Hz, is not? Or what about 269.1488 Hz -- nearly absolute middle of the two? Why do we recognize certain frequencies as notes?

(post is archived)

LOL

You are refuting things that I never said or implied. Of course 12 TET isn't the only way to divide the octave, but you act like there isn't a tone corresponding to every frequency out there. The problem isn't so much that what you think you know is wrong, you are just explaining it in a way that is completely off base.

You know something, but you don't know the difference between scales and modes, or between scales and tones.

To say that the (e.g.) Dorian mode (say, of F) can "reach" frequencies that the regular Eb major scale can't "reach" is ludicrous. They're the same [set of] notes.

At this point I would adjust my original warning:

OP, don't ignore this guy, but rather use him as an example of how a little knowledge in the wrong hands can be destructive.

[–] 0 pt

Scales and modes are the same thing. Tones are reached by using different scales and tunings. Tune your instrument a a quarter step down and you'll achieve different tones on when playing the same notes. This is music theory 101.

[–] 0 pt

Tones are reached by using different scales

False.

and tunings

True.