Excellent point, and that's a huge topic. One supremely important thing I'd stress about our Jewish enemy is how expansive their view is. Non-Jews can hardly comprehend it because we are so entangled with nature and the beauty of creation, that the Jewish urge to escape it means we literally cannot see the world the way the Jewish race has. Put simply, abstraction is the Jewish rule. Their heads are not 'in this world', but always stretched across multiple layers of quite sophisticated interpretation. Where we might look and identify something at the individual level, they won't see the separation: their machine is working at multiple levels, and they literally see it as a whole. The 20th century could be thought of as a collective analogy for the individual situation we have been talking about. With the war, they separated man and wife. The entire nature of the structural change and consolidation of media that had been going on for a few decades conferred this massive authority to the federal government in terms of how we view them. It became its own entity, which in its larger-than-life authority became the surrogate husband of a generation of our women, the true 'man' of the house, while so many millions of actual men were being shipped overseas to fight the war. It was the government that consoled her morally, the government who delivered her the news (good or bad), the government whose programs gave her paid jobs, the government that set up social security and entitlement programs, the government who would pay her way when her 'damaged' husband came home from the war just to be obliterated by the weapons of psychiatry. The Boomer generation was the collective analog of the traumatized college student that left everything they knew behind, and began to cling to anything like a lifeboat that appeared once they got to school. Our women today are being wed not to man (as icon of God on earth), but to the authority of the State. You see it everywhere. I hear it daily, in women's conversations, in how people talk at parties. There is no such thing as an independent woman: that *was the great lie*. There is just a woman wed to the strongest authority that will give to her. This is also what made women so much more inclined to the secret and giving-away-of-life confessional of the *psychotherapeutic* movements that began in that century and really took off in the 60s and 70s (therapy is a cognate of the Catholic confessional). If the federal government is intervening in the life of your family in more powerful ways than the husband can, she will become wed to it (which is why you don't let another man mow your lawn every week). It is hardly even her choice. This shit is metaphysical. I see the effects everywhere: women who openly disrespect and belittle their husbands publicly, who begin treating him like he is a cuckold that serves her needs, while her real husband is that State which would take half of his wealth on her behalf - if he ever went 'too far off the ranch.' That's what I mean. She always senses that differential power of this abstraction called the State tugging at the power relationship that exists between herself and her husband, this power that is greater than her husbands and which guarantees her safe escape should the natural struggles of life ever elicit the cowardly desire to escape to another fantasy. In addition to the government, her attachment to the authority of her work place (in terms of the organization as an abstract 'person', but also to particular authority figures in it) is another way of fragmenting woman's wedding to the husband. You began to see the signs and the influences in media, where the dopey husband becomes a trope everywhere. She and girlfriends are eyeballing the Hispanic pool boy making jokes about how their husbands couldn't make a pot of coffee without her, and then you hear a boom from the garage, he walks out covered in soot. He blew up the car. Cue laugh track. Devon Stack at *Blackpilled* does a really impressive group of videos on all of these films and shows targeted at Boomers. I'd highly recommend watching them. It's also the point where history died, except critical Jewish historiography that took over universities after the War, combined with trends in literature and art of the same time that also worked to convince everyone they'd walked into a new age, separated irreconcilably from the past. The past becomes an abstraction and we are post-modern.