So much for you having to go to sleep, boomer.
So much for you having to go to sleep, boomer.
"And the morals that they worship will be gone." (socially engineered cultural devolution)
"And the men who stirred us on" (Tavistock in particular pushing the pop and rock stars on the public)
"Sit in judgment of all wrong" (Tavistock and the globalist purveyors of right and wrong)
"They decide and the shotgun sings the song (Tavistock sets the agenda and the rock stars and celebs trade it)
"Take a bow for the new revolution, smile and grin at the change all around" (self explanatory)
"The change, it had to come, we knew it all along" (it is all planned and known to the insiders)
"And the parting on the left is now parting on the right, and the beards have all grown longer overnight" (a direct reference to Paul McCartney's replacement - another clue for you all - the hair is parted differently, while all the Beatles chipped in with beards to help with the deception and disguise)
"Pick up my guitar and play, just like yesterday" (and guess who played Yesterday on the guitar - everybody knew it, everybody was in on it, including Keith Moon and Donovan and Jeff Lynn and many more)
"Then I'll get on my knees and pray, we don't get fooled again" (they mock how they fooled us)
Look at this quote from Henry Ford about the jews and their "fake" stars, back in the early 1900s.
>A third consequence of Jewish domination of the American stage has teen the appearance of "the New York star" system, with its advertising appliances. The last few years of the Theater have been marked by numerous "stars" that really never rose and certainly never shone, but which were hoisted high on the advertising walls of the Jewish theatrical syndicates in order to give the public the impression that these feeble lantern-lights were in the highest heaven of dramatic achievement.
>In brief, whereas in normal times the public made the "star" by their acclaim, nowadays the Jewish managers determine by their advertisements who the star shall be.
"And the morals that they worship will be gone." (socially engineered cultural devolution)
"And the men who stirred us on" (Tavistock in particular pushing the pop and rock stars on the public)
"Sit in judgment of all wrong" (Tavistock and the globalist purveyors of right and wrong)
"They decide and the shotgun sings the song (Tavistock sets the agenda and the rock stars and celebs trade it)
"Take a bow for the new revolution, smile and grin at the change all around" (self explanatory)
"The change, it had to come, we knew it all along" (it is all planned and known to the insiders)
"And the parting on the left is now parting on the right, and the beards have all grown longer overnight" (a direct reference to Paul McCartney's replacement - another clue for you all - the hair is parted differently, while all the Beatles chipped in with beards to help with the deception and disguise)
"Pick up my guitar and play, just like yesterday" (and guess who played Yesterday on the guitar - everybody knew it, everybody was in on it, including Keith Moon and Donovan and Jeff Lynn and many more)
"Then I'll get on my knees and pray, we don't get fooled again" (they mock how they fooled us)
Look at this quote from Henry Ford about the jews and their "fake" stars, back in the early 1900s.
>>A third consequence of Jewish domination of the American stage has teen the appearance of "the New York star" system, with its advertising appliances. The last few years of the Theater have been marked by numerous "stars" that really never rose and certainly never shone, but which were hoisted high on the advertising walls of the Jewish theatrical syndicates in order to give the public the impression that these feeble lantern-lights were in the highest heaven of dramatic achievement.
>>In brief, whereas in normal times the public made the "star" by their acclaim, nowadays the Jewish managers determine by their advertisements who the star shall be.
(post is archived)