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"And the morals that they worship will be gone." (socially engineered cultural devolution)

"And the men who stirred us on" (Tavistock in particular pushing the pop and rock stars on the public)

"Sit in judgment of all wrong" (Tavistock and the globalist purveyors of right and wrong)

"They decide and the shotgun sings the song (Tavistock sets the agenda and the rock stars and celebs trade it)

"Take a bow for the new revolution, smile and grin at the change all around" (self explanatory)

"The change, it had to come, we knew it all along" (it is all planned and known to the insiders)

"And the parting on the left is now parting on the right, and the beards have all grown longer overnight" (a direct reference to Paul McCartney's replacement - another clue for you all - the hair is parted differently, while all the Beatles chipped in with beards to help with the deception and disguise)

"Pick up my guitar and play, just like yesterday" (and guess who played Yesterday on the guitar - everybody knew it, everybody was in on it, including Keith Moon and Donovan and Jeff Lynn and many more)

"Then I'll get on my knees and pray, we don't get fooled again" (they mock how they fooled us)

Look at this quote from Henry Ford about the jews and their "fake" stars, back in the early 1900s.

>A third consequence of Jewish domination of the American stage has teen the appearance of "the New York star" system, with its advertising appliances. The last few years of the Theater have been marked by numerous "stars" that really never rose and certainly never shone, but which were hoisted high on the advertising walls of the Jewish theatrical syndicates in order to give the public the impression that these feeble lantern-lights were in the highest heaven of dramatic achievement.

>In brief, whereas in normal times the public made the "star" by their acclaim, nowadays the Jewish managers determine by their advertisements who the star shall be.

"And the morals that they worship will be gone." (socially engineered cultural devolution) "And the men who stirred us on" (Tavistock in particular pushing the pop and rock stars on the public) "Sit in judgment of all wrong" (Tavistock and the globalist purveyors of right and wrong) "They decide and the shotgun sings the song (Tavistock sets the agenda and the rock stars and celebs trade it) "Take a bow for the new revolution, smile and grin at the change all around" (self explanatory) "The change, it had to come, we knew it all along" (it is all planned and known to the insiders) "And the parting on the left is now parting on the right, and the beards have all grown longer overnight" (a direct reference to Paul McCartney's replacement - another clue for you all - the hair is parted differently, while all the Beatles chipped in with beards to help with the deception and disguise) "Pick up my guitar and play, just like yesterday" (and guess who played Yesterday on the guitar - everybody knew it, everybody was in on it, including Keith Moon and Donovan and Jeff Lynn and many more) "Then I'll get on my knees and pray, we don't get fooled again" (they mock how they fooled us) Look at this quote from Henry Ford about the jews and their "fake" stars, back in the early 1900s. >>A third consequence of Jewish domination of the American stage has teen the appearance of "the New York star" system, with its advertising appliances. The last few years of the Theater have been marked by numerous "stars" that really never rose and certainly never shone, but which were hoisted high on the advertising walls of the Jewish theatrical syndicates in order to give the public the impression that these feeble lantern-lights were in the highest heaven of dramatic achievement. >>In brief, whereas in normal times the public made the "star" by their acclaim, nowadays the Jewish managers determine by their advertisements who the star shall be.

(post is archived)

[–] 1 pt

If this were true, then you should be able to find the message in the 70s, 80s, 90s and the music from the decades beyond. The 80s will be the hardest decade to extract a message from unless of course (((they))) wanted to destroy us by dancing safely (Safety Dance) or crash our finances by having us buy little red corvettes.

And just so you're aware, no, under cover cops don't have to tell you they are under cover cops if you ask them. There is no rules for having to broadcast (((intentions))).

[–] 1 pt

>And just so you're aware, no, under cover cops don't have to tell you they are under cover cops if you ask them. There is no rules for having to broadcast (((intentions))).

The occult, like Alister Crowley, did believe they had to drop hints. This has been talked about many times. I've always believed 'illuminati' is a jewish front.

[–] 1 pt

I've been busted by undercover cops, I know all about them. You assume a lot don't you lol.

[–] 0 pt

Well then if it is sooooo true, why don't you and the rest of the Qtards just start asking all of the Deep State vermin what their plans are, if they stole the elections, if they killed Epstein and if they created the jewflu to implement the (((NWO))). They have to tell you, right? It's such an obvious thing to do so why aren't you asking them these kinds of questions?

[–] 2 pts (edited )

They 'have to tell you' in a roundabout subtle way goofus.

Open that brain of yours.

And don't pigeonhole people (Qtard) it makes you look stoopid.

Now how did we 'get here,' were we created by a higher power or was it by chance.

[–] 1 pt

The 80s will be the hardest decade

Who Could It Be Now? Once In A Lifetime...

Into the blue again after the money's gone Once in a lifetime, water flowing underground

Same as it ever was, same as it ever was Same as it ever was and look where my hand was Time isn't holding up, time isn't after us Same as it ever was, same as it ever was Same as it ever was, same as it ever was Same as it ever was, same as it ever was Letting the days go by, same as it ever was

Here a twister comes, here comes the twister

So maybe it could be David. David Burn