When that album came out it took me 3 months to find a copy, I ended up having to special order it. I had written another snippet a few years ago about a more purely electronic track they did on the album called The Visitation. Many of the effects we may take for granted today were "invented" back then. White Noise (An Electric Storm) - The Visitation (1968) https://www.youtube.com/watch?v=MH9atqqkUuY It might sound a bit chaotic and nonsensical, but what can't be ignored is its intelligence. Created by three people with a deep understanding of music: David Vorhaus, a classical bass player whose background lies in physics and electro engineering, Delia Derbyshire, who had (under)famously electrified the Doctor Who theme tune some 5 years earlier (1963), and Brian Hodgson, a composer and sound technician who, alongside Derbyshire, co-founded Unit Delta Plus (created in order to make and promote electronic music). David Vorhaus – a classical bass player with a background in physics and electronic engineering. Delia Derbyshire - a sound scientist at the BBC Radiophonic Workshop. Brian Hodgson – former member of electronic music project Unit Delta Plus. Paul Lytton – percussion John Whitman, Annie Bird, Val Shaw – vocals Formed by members of the BBC Radiophonic Workshop (the sound effects department), the idea behind White Noise (1968) is immediately clear — electronic effects and samples used to melodic, dramatic and occasionally uncomfortable ends. Initially intended to be a two song single release, record label Island urged White Noise to create a full album. One year later, created in the Kaleidophon Studio—essentially a flat in Camden Town—White Noise released An Electric Storm, which went on to influence generations of electronic musicians. The delightful Delia at work in the studio: https://files.catbox.moe/dznu0j.png