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"In the Still of the Nite" is one of two songs that may lay claim to being the origin of the term/genre "doo-wop". The plaintive doo wop, doo wah refrain in the bridge has often been suggested as the origin of the term to describe that musical genre.

This was written by group member Fred Parris, who had joined the US Army. As a recruit, he travelled by train between Philadelphia and his home town of New Haven, and it was on these trips that he wrote the song. Soon after it was recorded, he shipped off for Japan, where he was stationed. When it became a hit, he watched from afar as a different permutation of The Five Satins was assembled to tour America - only two of the guys who recorded the song were part of this lineup. Parris wasn't discharged until 1958; when he returned, he set up a new version of the group and hit the road.

The song was recorded in the basement of St. Bernadette Church in the group's hometown of New Haven, Connecticut. They first tried recording the song in another New Haven building (on Whalley Avenue), but street noise degraded the recording. The church basement had great acoustics and was insulated from ambient noise, making it a perfect place to record. The group was managed by Marty Kugell, who distributed their material on his own label, Standord Records (small operations like this were common at the time). His friend Vinny Mazzetta was an altar boy at the church, and Mazzetta convinced the pastor to let the group use the basement on a Sunday afternoon following a church service. They used the church piano along with drums, a guitar, a cello tuned low for the bass sound, and a saxophone, which Mazzetta played.

In April 2010, the song ranked #90 on the Rolling Stone magazine's list of "the 500 Greatest Songs of All Time".

"In the Still of the Nite" is one of two songs that may lay claim to being the origin of the term/genre "doo-wop". The plaintive doo wop, doo wah refrain in the bridge has often been suggested as the origin of the term to describe that musical genre. This was written by group member Fred Parris, who had joined the US Army. As a recruit, he travelled by train between Philadelphia and his home town of New Haven, and it was on these trips that he wrote the song. Soon after it was recorded, he shipped off for Japan, where he was stationed. When it became a hit, he watched from afar as a different permutation of The Five Satins was assembled to tour America - only two of the guys who recorded the song were part of this lineup. Parris wasn't discharged until 1958; when he returned, he set up a new version of the group and hit the road. The song was recorded in the basement of St. Bernadette Church in the group's hometown of New Haven, Connecticut. They first tried recording the song in another New Haven building (on Whalley Avenue), but street noise degraded the recording. The church basement had great acoustics and was insulated from ambient noise, making it a perfect place to record. The group was managed by Marty Kugell, who distributed their material on his own label, Standord Records (small operations like this were common at the time). His friend Vinny Mazzetta was an altar boy at the church, and Mazzetta convinced the pastor to let the group use the basement on a Sunday afternoon following a church service. They used the church piano along with drums, a guitar, a cello tuned low for the bass sound, and a saxophone, which Mazzetta played. In April 2010, the song ranked #90 on the Rolling Stone magazine's list of "the 500 Greatest Songs of All Time".

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[–] 1 pt

That's one of the main reasons I created Musicfor.us. The period of the late '50's through the early '70's was the most significant and impactful period of music in the last century.

Back when Rolling Stone was almost an important part of chronicling music, they compiled their first iteration of 500 Greatest Songs of All Time. This table shows the number of songs that appeared on that list by decade

https://files.catbox.moe/opmn64.PNG

It's easy to see that era's significance.

[–] 1 pt

Yeah it definitely has a huge influence on my song writing. Even when I make punk rock songs, the chord progressions and melody lines are all inspired from that era. Good stuff!