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"Monday, Monday" is a 1966 song written by John Phillips and recorded by the Mamas & the Papas using background instruments played by members of The Wrecking Crew for their 1966 album If You Can Believe Your Eyes and Ears. It was the group's only number-one hit on the U.S. Billboard Hot 100. Larry Knechtel played keyboards, Joe Osborn played bass, Hal Blaine was on drums and P.F. Sloan played guitar. Sloan was the baby of the bunch, just 20 years old when the song was released. He describes it as a "magical session," and says that he gave Blaine the idea for the drum riff based on a song P.F. had worked on when he was a member of the Grass Roots.

Phillips said that he wrote the song quickly, in about 20 minutes. The song includes a false ending, when there is a pause before the coda of the song, and goes up a half note for the bridges and refrains of the song. It was the second consecutive number-one hit song in the U.S. to contain a false ending, succeeding "Good Lovin'" by the Young Rascals, and the first time this novelty had occurred between consecutive number one hits.

On March 2, 1967, The Mamas & the Papas won a Grammy Award for Best Pop Performance by a Duo or Group with Vocal for this song.

"Monday, Monday" is a 1966 song written by John Phillips and recorded by the Mamas & the Papas using background instruments played by members of The Wrecking Crew for their 1966 album If You Can Believe Your Eyes and Ears. It was the group's only number-one hit on the U.S. Billboard Hot 100. Larry Knechtel played keyboards, Joe Osborn played bass, Hal Blaine was on drums and P.F. Sloan played guitar. Sloan was the baby of the bunch, just 20 years old when the song was released. He describes it as a "magical session," and says that he gave Blaine the idea for the drum riff based on a song P.F. had worked on when he was a member of the Grass Roots. Phillips said that he wrote the song quickly, in about 20 minutes. The song includes a false ending, when there is a pause before the coda of the song, and goes up a half note for the bridges and refrains of the song. It was the second consecutive number-one hit song in the U.S. to contain a false ending, succeeding "Good Lovin'" by the Young Rascals, and the first time this novelty had occurred between consecutive number one hits. On March 2, 1967, The Mamas & the Papas won a Grammy Award for Best Pop Performance by a Duo or Group with Vocal for this song.

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Im afraid I have to disagree. I read her book. They are dead to me. Its sad. And I dont believe he influenced any music that would have any bearing without him. Fuck him.

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I understand. As much as I have some of the same personal feelings, the history of the time and what happened isn't for me to change.