Danny and The Juniors - At The Hop (1958)

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This was written by Artie Singer, John Medora (aka Madara), and David White and originally released by Danny & the Juniors. Dave White and John Madara were songwriter/producers based in Philadelphia. In the Forgotten Hits interview, Medora said: "Artie Singer, who had been my vocal coach, took all of the credit for the production (and production monies and all of the publishing), put his name on as a songwriter and publisher and has tried to take credit for producing 'At The Hop' all these years. I have read on many websites that Artie Singer went out and got Leon Huff to help with the production and play piano. This is totally, one hundred percent false. I discovered Leon Huff in 1963 playing with a band called 'The Lavenders,' and at that time he was about 18 years old. He would have had to have been 12 years old to be involved with 'At The Hop.'"

Madara explained in an interview with Forgotten Hits: "'At The Hop' originally was recorded by myself, with Danny and The Juniors (who at the time were called The Juvenairs) singing background. (The Juvenairs were on a street corner singing when a someone who worked at a recording studio heard them and brought them in to sing.) It was titled 'Do The Bop,' with me singing lead and Danny and The Juniors singing background. I was under contract at the time to Prep Records.

Prep had me all set up to record again with a producer, Sid Feller, when I had the idea to write a song 'Do The Bop.' I wanted to do something that had a piano featured like 'Whole Lotta Shakin' Goin' On.' So, off we go to the recording studio, with me singing lead, Danny and The Juniors singing background, and my 45 record 'A Whole Lotta Shakin' Goin' On' to set the tone of what I was shooting for. I paid for the session, sat in the control room, told the engineer what to do, played the Jerry Lee Lewis record for the musicians and that is how 'Do The Bop' was created. After the recording, we played the record for Prep. They didn't care for it. They still wanted me to record with Sid Feller. So we went back to Philadelphia where 'Do The Bop' was played for Dick Clark, who suggested that The Bop wasn't really happening around the country and why don't we change it to something about record hops. So with some additional lyric changes, and because I was under contract with Prep, we went back into the studio with Danny and The Juniors. Danny, who was their lead singer, sang lead, using a lot of the same phrasing that I did on 'Do The Bop.'

Singer claimed that Dick Clark would not play "At the Hop" without receiving half of the publishing proceeds. Singer agreed to make the payments and called the situation "bittersweet" because although he didn't like having to give the money, he credited his success in the music industry to Clark and therefore was grateful to him. Payola was not illegal at the time and Clark sold the song prior to the 1960 payola hearings.

This was written by Artie Singer, John Medora (aka Madara), and David White and originally released by Danny & the Juniors. Dave White and John Madara were songwriter/producers based in Philadelphia. In the Forgotten Hits interview, Medora said: "Artie Singer, who had been my vocal coach, took all of the credit for the production (and production monies and all of the publishing), put his name on as a songwriter and publisher and has tried to take credit for producing 'At The Hop' all these years. I have read on many websites that Artie Singer went out and got Leon Huff to help with the production and play piano. This is totally, one hundred percent false. I discovered Leon Huff in 1963 playing with a band called 'The Lavenders,' and at that time he was about 18 years old. He would have had to have been 12 years old to be involved with 'At The Hop.'" Madara explained in an interview with Forgotten Hits: "'At The Hop' originally was recorded by myself, with Danny and The Juniors (who at the time were called The Juvenairs) singing background. (The Juvenairs were on a street corner singing when a someone who worked at a recording studio heard them and brought them in to sing.) It was titled 'Do The Bop,' with me singing lead and Danny and The Juniors singing background. I was under contract at the time to Prep Records. Prep had me all set up to record again with a producer, Sid Feller, when I had the idea to write a song 'Do The Bop.' I wanted to do something that had a piano featured like 'Whole Lotta Shakin' Goin' On.' So, off we go to the recording studio, with me singing lead, Danny and The Juniors singing background, and my 45 record 'A Whole Lotta Shakin' Goin' On' to set the tone of what I was shooting for. I paid for the session, sat in the control room, told the engineer what to do, played the Jerry Lee Lewis record for the musicians and that is how 'Do The Bop' was created. After the recording, we played the record for Prep. They didn't care for it. They still wanted me to record with Sid Feller. So we went back to Philadelphia where 'Do The Bop' was played for Dick Clark, who suggested that The Bop wasn't really happening around the country and why don't we change it to something about record hops. So with some additional lyric changes, and because I was under contract with Prep, we went back into the studio with Danny and The Juniors. Danny, who was their lead singer, sang lead, using a lot of the same phrasing that I did on 'Do The Bop.' Singer claimed that Dick Clark would not play "At the Hop" without receiving half of the publishing proceeds. Singer agreed to make the payments and called the situation "bittersweet" because although he didn't like having to give the money, he credited his success in the music industry to Clark and therefore was grateful to him. Payola was not illegal at the time and Clark sold the song prior to the 1960 payola hearings.

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