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The estate of Paul Leffmann, a German-Jewish businessman who fled Nazi Germany in 1938, on Friday filed a lawsuit against the Metropolitan Museum of Art in new York, over ownership of Pablo Picasso’s painting The Actor. The Met argued that Leffamann actually received for his Picasso more “than any other early Picasso sold by a collector to a dealer during the 1930s.” They bring as proof the fact that when the Leffmanns, after the war, were trying to recover their stolen property, they did not include The Actor on their list. If the Leffmanns themselves did not consider the painting stolen, why should the Museum be accused of holding improperly acquired property?

Suit didn't work, but sure fits the idea of chutzpah.

The estate of Paul Leffmann, a German-Jewish businessman who fled Nazi Germany in 1938, on Friday filed a lawsuit against the Metropolitan Museum of Art in new York, over ownership of Pablo Picasso’s painting The Actor. The Met argued that Leffamann actually received for his Picasso more “than any other early Picasso sold by a collector to a dealer during the 1930s.” They bring as proof the fact that when the Leffmanns, after the war, were trying to recover their stolen property, they did not include The Actor on their list. If the Leffmanns themselves did not consider the painting stolen, why should the Museum be accused of holding improperly acquired property? Suit didn't work, but sure fits the idea of chutzpah.

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They should send him back to 1938 to Nazi Germany then? How do they break the contract?