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(The melody of the linked song is also mirrored. The original starts with an ascending line; the mirror descends by the same intervals.)

At first I was going to link this 18-minute discussion, but it's not exactly clear or all that helpful. Just a starting point. But I figured the song was a better choice.

Essentially you end up with major chords becoming minor, minor chords becoming major, and scale positions being offset so that X ==> 7 - X.

In other words, the normal diatonic chords built off a major scale: I
ii
iii
IV
V
vi
vii (dim)

becomes vi
V
IV
iii
ii
I
"vii (dim)" (it doesn't exactly stay the same, but I doubt if anyone here would know the difference)

(The melody of the linked song is also mirrored. The original starts with an ascending line; the mirror descends by the same intervals.) At first I was going to link this 18-minute discussion, but it's not exactly clear or all that helpful. Just a starting point. But I figured the song was a better choice. Essentially you end up with major chords becoming minor, minor chords becoming major, and scale positions being offset so that X ==> 7 - X. In other words, the normal diatonic chords built off a major scale: I ii iii IV V vi vii (dim) becomes vi V IV iii ii I "vii (dim)" (it doesn't exactly stay the same, but I doubt if anyone here would know the difference)

(post is archived)

[–] 0 pt

It's a dm with Bb as the bass note

Ah. I just posted a new thread about it, if you're interested.