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Look at all the victims in horror fiction, they are typically representatives of the kinds of people who the dominant culture of the time disapproved of, now, look at the survivors, they typically represent the kinds of people that the dominant culture of the time most valued.

The work of horror is a ritual, you see, the slasher is a scapegoat, he acts as an executioner of the people who the elites of society wish to be rid of, thus putting away the evils from their midst without blood being upon the hands of those who wished for those they hated to be purged.

Then the killer usually gets taken out by the precious pet of the elites, showing that the thing that represents their most cherished values has the power to vanquish an evil that the corrupt would fall to, kind of like how it was only those who rejected Elohim/Jehovah/Yahweh whose firstborn children had died in Ancient Egypt, those who worshipped him had their firstborn children be protected from the curse of death, showing how greater the one God was over the various Gods of the Egyptian pantheon.

It's a cleansing ritual where the elite's concept of sin is purged by a scapegoat, who is then themselves purged by the representative of the elite's concept of virtue, which acts as an affirmation of the superiority of the elite's preferred cultural values.

This is how the black gangbanger went from being a typical stock victim, to being replaced by the white jock psychopathic bully who epitomizes both the aryan ideal and the "chad" archetype, the promoted cultural values had shifted, and thus the ones which are sought to be removed from society had changed along with them.

Same goes for the one who survives, no longer the innocent shy white virgin, but now it's unusually either some persecuted "minority", or an outspoken "ally" for said "minorities".

Look at all the victims in horror fiction, they are typically representatives of the kinds of people who the dominant culture of the time disapproved of, now, look at the survivors, they typically represent the kinds of people that the dominant culture of the time most valued. The work of horror is a ritual, you see, the slasher is a scapegoat, he acts as an executioner of the people who the elites of society wish to be rid of, thus putting away the evils from their midst without blood being upon the hands of those who wished for those they hated to be purged. Then the killer usually gets taken out by the precious pet of the elites, showing that the thing that represents their most cherished values has the power to vanquish an evil that the corrupt would fall to, kind of like how it was only those who rejected Elohim/Jehovah/Yahweh whose firstborn children had died in Ancient Egypt, those who worshipped him had their firstborn children be protected from the curse of death, showing how greater the one God was over the various Gods of the Egyptian pantheon. It's a cleansing ritual where the elite's concept of sin is purged by a scapegoat, who is then themselves purged by the representative of the elite's concept of virtue, which acts as an affirmation of the superiority of the elite's preferred cultural values. This is how the black gangbanger went from being a typical stock victim, to being replaced by the white jock psychopathic bully who epitomizes both the aryan ideal and the "chad" archetype, the promoted cultural values had shifted, and thus the ones which are sought to be removed from society had changed along with them. Same goes for the one who survives, no longer the innocent shy white virgin, but now it's unusually either some persecuted "minority", or an outspoken "ally" for said "minorities".

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[–] 0 pt

When I was a kid, it always annoyed me that horror movies all had happy endings. Everything always worked out in the end. Example, the original Invasion of the Body Snatchers. At the end, the pods are exposed, and the US army is mobilized against them. Humanity is saved.

When I got older I started to notice that horror movies were no longer ending happily. In face, none of them ever ended on a happy note. This was just as annoying as the perpetual happy endings. The evil force always won in the end, just when you thought humanity might have a chance. Example, the remake of Invasion of the Body Snatchers, which ends with the last hope of the human race being snuffed out.

This change, along with the prevalence of dystopian science fiction movies, represents a massive change in the zeitgeist of our culture. We went from believing we would prevail and build a better world no matter what obstacles we faced, to believing that no matter what we did we would be frustrated and defeated.

So you have to ask yourself, what was the driver for this change? Did the Jews of Hollywood get together and decide to make this shift? Or is something deeper going on beneath the surface of our reality? I think it's something deeper.

the new body snatchers, the thing, and other movies of the kind all were made during the time of the looming threat of the cold war, I reckon that that figured heavily into the shift in tone.