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Xavier Eman (2019). An end of the world unimportante.

No doubt: the modern world is absurd, sullen, disenchanted. It resembles a chapter by Michel Houellebecq rewritten by Philippe Muray. So weary and disillusioned that even its gradual disappearance provokes no reaction. Slow voluntary euthanasia for a tired humanity. It is this desperately soft apocalypse that Xavier Eman addresses in the chronicles, both funny and creaky, gathered here. The tone is corrosive, the painting realistic, the humor irresistible. But, despite everything, François, the recurring anti hero of the texts gathered in this volume, resists. In his way. Despite himself, sometimes. Despite the contrary elements. Despite cynicism and disappointments. Despite the mockery.