"this play is not challenging if it doesn’t allow us to feel safe"
It's always been simple: Don't want to be in the play? Don't audition. See how simple? Someone who actually likes Theater will take your place, guaranteed.
Theatre departments are basically fag repositories.
I'd love to see the showdown - Theatre Department with their SJW virtue signalling -vs- the Engineering Department with a Trebuchet
Theater is full of gays for sure, but that does not include most of the Crew nor does it include all of the Cast. But it always includes the Director and Producer, guaranteed.
Jews and homosexuals. That's theater.
The play includes a "predatory lesbian." But the liberal left denies that any lesbian could possibly be predatory. And these bubble-headed students, so eager to say exactly what they are programmed to say, don't like the idea of being associated with something that is not politically correct. Yeesh! What an embarrassment they are to their entire race.
Fine! Write your own fucking play! It will suck and nobody will care despite the twatter and (((media))) crowing about it like it's all feefee and bwave.
honestly speaking if shit could just go back to normal that would fix everything, but instead we must keep drinking the chronic poison
The cure is, stop giving PC= politically correct, an ounce of credibility or your approval. Their 'opinion' is usually wrong.
I'm not familiar with the play but reading the Britannica summary it sounds interesting and thought provoking. Likely has some unfortunate truths about life in there.
I always get a laugh out of 'trigger warnings'. Guess what princess, life can be triggering. The sooner you learn to cope with it, the happier you will be.
Jean-Paul Sartre’s "No Exit": A BBC Adaptation Starring Harold Pinter (1964) (youtu.be)
No Exit, one-act philosophical drama by Jean-Paul Sartre, performed in 1944 and published in 1945. Its original, French title, Huis clos, is sometimes also translated as In Camera or Dead End. The play proposes that “hell is other people” rather than a state created by God.
The play begins with a bellman ushering three recently deceased people into a room. They are Garcin, a revolutionary who betrayed his own cause and wants to be reassured that he is not a coward; Estelle, a nymphomaniac who has killed her illegitimate child; and Inez, a predatory lesbian. All the characters require another person for self-definition, yet each is most attracted to the person most likely to discomfit. Their inability to escape from each other guarantees their eternal torture.
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