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According to one person online, he was a staunch Anti-Communist who refused to work with a Jew writer in the 1960’s and went into a rage on set when he found out about his Commie bullshit:

“Perhaps the main reason for Chuck Connors’ stubborn behavior on the short-lived “Branded” series was because Larry Cohen conceived the show as a Western allegory for the blacklisting of Hollywood actors, writers and filmmakers who had Communist affiliations back in the 1950s.

The title sequence of each episode, with Connors being stripped of his rank and drummed out of the fort, was a pointed metaphor for blacklisting.

Cohen didn’t reveal the allegorical nature of Branded to Connors until after the actor was committed and the show was in production.

Connors was furious when he found out that his character, Jason McCord, the star of the show, was supposed to represent Hollywood actors, writers and filmmakers who were blacklisted (unfairly or not) for Communist affiliation.

Connors was so pissed off that he even charged his horse at Larry Cohen on the Branded set. So, let’s say Connors was disillusioned regarding his role.”

According to one person online, he was a staunch Anti-Communist who refused to work with a Jew writer in the 1960’s and went into a rage on set when he found out about his Commie bullshit: “Perhaps the main reason for Chuck Connors’ stubborn behavior on the short-lived “Branded” series was because Larry Cohen conceived the show as a Western allegory for the blacklisting of Hollywood actors, writers and filmmakers who had Communist affiliations back in the 1950s. The title sequence of each episode, with Connors being stripped of his rank and drummed out of the fort, was a pointed metaphor for blacklisting. Cohen didn’t reveal the allegorical nature of Branded to Connors until after the actor was committed and the show was in production. Connors was furious when he found out that his character, Jason McCord, the star of the show, was supposed to represent Hollywood actors, writers and filmmakers who were blacklisted (unfairly or not) for Communist affiliation. Connors was so pissed off that he even charged his horse at Larry Cohen on the Branded set. So, let’s say Connors was disillusioned regarding his role.”

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[–] • 0 pt

Wow. I didn’t catch this. Thanks. Yeah, paying tribute to each other, I guess. Once you’re completely redpilled on Jews, there is no way you cannot despise them.

[–] • 1 pt

The weirdest (((Coen))) movie references are ones like in Hail, Caesar where they openly show that the kike commie Hollyweird writers were intentionally working with the Soviets and making the very propaganda those same writers alleged was all a witch hunt. Also, they rather blankly painted Gene Kelly as a fag and a commie, and based on his involvement with Inherit the Wind, I’m not convinced he wasn’t.

[–] • 0 pt

Wow. I have to DL that flick. IT is funny how they cry out when they strike you. Always denying their deviousness and at the same time putting it right in your face.

[–] • 1 pt

I don’t know enough about the (((Coens))) to make an informed decision. However, they often have, from what I’ve seen, a rather pointed depiction of jews in their work, at times. Like I said, their works are “confusing” on that front.

I also feel that (((Stanley Kubrick))), who regularly lampooned and criticized jewish figures and power brokers, albeit indirectly and through subtle caricature, was similarly enigmatic. One could see his Lolita as a skewering of the pedojew Nabokov, plenty of kikes on parade at Rand Corp and in the military industrial complex of Strangelove, the jew deception of the “space race” and “alien life forms” sold to whites on both sides of the Iron Curtain, as derided in 2001, the jew psychobabble of Ludovico “treatments” in Clockwork, and all the way up to the Rothschilds being named but not named in Eyes Wide Shut.