It's not so simple that I know it's key just by looking at it. At times I'm a bit unsure of the chords listed due to the writing. I'd assume you're starting with a G center and Am7 and B anything isn't going to change that. Is that B flat on line 2. Are you suggesting those two chords at the end of line 2 are a new variation of the chords on the first line?
My initial interpretation of section 2 is that it wants to start off centered around E minor with the E major chord being a substitution. Going to A and A7 makes it Dorian. It could be a sort of classic blues trick where the chords are major but everybody else is going in the minor key. I'm not sure where it's going from there.
It's not so simple that I know it's key just by looking at it. At times I'm a bit unsure of the chords listed due to the writing. I'd assume you're starting with a G center and Am7 and B anything isn't going to change that. Is that B flat on line 2. Are you suggesting those two chords at the end of line 2 are a new variation of the chords on the first line?
My initial interpretation of section 2 is that it wants to start off centered around E minor with the E major chord being a substitution. Going to A and A7 makes it Dorian. It could be a sort of classic blues trick where the chords are major but everybody else is going in the minor key. I'm not sure where it's going from there.
Eb passing tone from intro to main progression
Eb passing tone from intro to main progression
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