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For an example I'm talking about bands like Jethro Tull and Genesis.

For an example I'm talking about bands like Jethro Tull and Genesis.

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[–] [deleted] 2 pts

It dependents on where you start. If you have a bass or guitar riff then you would want to do a harmonic analysis to determine the key. Get a chord progression to go under the riff. Then use the circle of fifths to plan a key modulation. Make 2 parts to the first riff then make the second part with the key modulation. While doing the key change you could also do a rhythm change like accenting a different beat, or add another beat to the measure. That's the progressive part. At that point you should have enough material to arrange the sections and come up with a bridge or two.

Are you writing in a DAW or on paper?

[–] 1 pt

If you have a bass or guitar riff then you would want to do a harmonic analysis to determine the key.

I am not studied in music theroy. However isnt the first note you play what determins the key?

Looking back on my previous comment. If you have a riff that you made and you are trying to analyze it. The root note could also be the note that is used the most.

Usually that is true, but a big part of the progressive genre is subversion of expectations. It could be a good creative decision to create tension by not clearly establishing a key center then have that part lead into a very tonality stable part with a lot of rhythm complexity.