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I do documentary style videos on YouTube so all narration/voice-over is recorded separately and in a fairly-basic treated room, so coloration & ambient noise isn't an issue, which is why I use a condenser rather than a dynamic mic. I currently rock a Maono AU-PM422 (first and only mic I've had so far) and while the quality is actually great for its entry price-point, I'm looking to upgrade to an XLR setup and have set my sights on a Rode NT1 & Rode AI-1 audio interface. However, one thing that annoys me to no end is spending a good amount of time in Adobe Audition knocking out every little breath and the pops/clicks mouth sounds. Do the higher quality mics kill these sounds or is it just a fact of life and I need to start drinking a gallon of water two hours before every recording?

EDIT: I have a pop filter that handles plosive sounds just fine, that's why I said 'non-plosive clicks/pops,' it's the mouth/spit sounds I'm having issues with, not plosive pops. Sorry, I should've worded better!

I do documentary style videos on YouTube so all narration/voice-over is recorded separately and in a fairly-basic treated room, so coloration & ambient noise isn't an issue, which is why I use a condenser rather than a dynamic mic. I currently rock a Maono AU-PM422 (first and only mic I've had so far) and while the quality is actually great for its entry price-point, I'm looking to upgrade to an XLR setup and have set my sights on a Rode NT1 & Rode AI-1 audio interface. However, one thing that annoys me to no end is spending a good amount of time in Adobe Audition knocking out every little breath and the pops/clicks mouth sounds. Do the higher quality mics kill these sounds or is it just a fact of life and I need to start drinking a gallon of water two hours before every recording? EDIT: I have a pop filter that handles plosive sounds just fine, that's why I said 'non-plosive clicks/pops,' it's the mouth/spit sounds I'm having issues with, not plosive pops. Sorry, I should've worded better!

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[–] [deleted] • 0 pt

Thanks a lot for all of that, it’s always great to hear from someone that does this type of stuff professionally.
The funny thing is, my entry level mic’s cardioid pattern is so loose that it may as well be omni.
It does have zero-latency monitoring though, and I do use it with my Philips X2HR’s.
My mic placement is usually about 6” or more away from me, but I do speak directly toward it.
(Thanks again)