My cognitive dissonance flares up all the time as I realize I've been lied to all my life and I live in a fake world.

We don't know how to write fiction.

To write good fiction, you need to know your audience as well as yourself, and you need to learn how to bridge that gap between you and them in order to make them understand at least a part of how you see things.

Often there is just one optimal way to do something, it's could be anything, but there is always one optimal way of doing it.

That is why there are no jewish tactics or negro tactics, but only tactics which work and those which do not.

We need to learn from the ones whose been the most successful.

The kikes of Hollywood have successfully transformed our culture primarily by using their command of the world of entertainment media ad their best first tool of producing cultural change.

They took our culture from the state it was in in the 20's and made it into what it is now, and they didn't do it all at once.

It would be good of us to look at the works of fiction produced in the early ages of their takeover of the world of fictional media, and watch all the media from then to the media that we see on the talmudvision today.

We then need to document and analyze how the jews have altered the public perception through these works, and see if we can learn from it, reverse engineer their techniques for our own purposes.

We must imitate our enemies in order to push back against them.

Movies are out for us, as are TV shows, theater, and even music is a hard scene for us to break into.

But video games, there is a scene of entertainment that is still resistant to the jewish control.

The inherent nature of such an interactive and free-range medium is something that benefits us, who wish to give the player freedom and a narrative outside the norm to explore, rather than trying to import the real world into a medium based in escape from it, and trying to restrict what can and cannot be said or done.

Tabletop games, as well, for the same reasons they are difficult for jew narratives to control, best they could do is plant some material into the book talking about how the nazis are objectively and metaphysically evil, and why you should ban all nazis from your sessions.

But none of that does anything to stop a storyteller from actually doing a session revolving around a pack of nazi werewolves fighting on behalf of the spirit of Gaia against a world-controlling sect of jew vampires aiming to kill off the gentile kine ("humans") and enslave the world for Caine.

Or making a mage/changeling crossover in a WW2 setting where the book's official account of the war was reversed: The allies were the nephandi and marauder mages (the two "bad" mage factions, one who wishes to destroy reality, the other who wishes to basically become gods over the mortals by uniting the umbra with the mortal world, mostly by weakening the consensus), and the Thallian and Bedlam Changelings (the two "bad" changeling factions, one which is the equivalent to the nephandi, who are the nightmare creatures that kill or enslave humans, and the other, who are more equivalent to the marauders, who wish to unite the cognitive world of the dreaming and the real world of mortals) while the axis were the alliance of tradition and technocrat mages (the two "good" mage factions, one of faith and the other of science) and their changeling equivalents of the summer courts and the autumn courts (the two "good" changeling factions, one which are the classic changelings that correspond to the traditions, and the other changelings who've taken more to the side of the technocrats) that fought against them (and lost).

The holocaust being a lie that the jewish mages of the nephandi and marauder mages, along with their thallain and bedlam allies (also in jew bodies), had imposed upon reality in order to descend it towards the primordial, and the Aryan mages of the traditions and technocrats were forced to accept this addition to the consensus reality of history I'm their defeat at war's end, and reach for Ascension despite it.

Talmud-vision.